Pictographs
「Draw the thing, follow its form」
Copy what the eye sees: sun, moon, water, tree — sketches of the world itself.
日月水木
From pictographic roots to family trees — walk the road of character-making with Shuowen Jiezi.
In the preface to Shuowen Jiezi, Xu Shen summed up six methods behind every Chinese character — a generation algorithm, three thousand years old.
「Draw the thing, follow its form」
Copy what the eye sees: sun, moon, water, tree — sketches of the world itself.
日月水木
「See at a glance, ponder to grasp」
Add a mark to a picture: a stroke at the root makes 本 “root”; at the tip, 末 “tip”.
本末旦刃
「Pair the parts, let meaning meet」
Put two characters together for a new idea: a person by a tree is 休 “rest”; sun plus moon is 明 “bright”.
休明采从
「One part means, one part sounds」
The workhorse of the script: a semantic sign plus a sound sign — rivers, trees, feelings, nearly nine-tenths of all characters.
江河松溪
「One class, one meaning, glossing each other」
Characters of the same family that explain one another — 考 and 老, each “old” in the other’s light.
考老
「No character yet? Borrow the sound」
Borrow a homophone for a new word: 莫 “sunset” was borrowed for “not”, so a new 暮 had to be coined.
莫然令长
Every family grows from one pictographic root. Open one, and you walk a path from concrete image to abstract idea.
Literacy is not the goal; awakening is. Every root character is read in three layers.
Return to the scene of invention — see what the ancients saw: a river, a tree, a setting sun.
Take the parts apart — why are they combined this way? Every component has its reason.
Let the form lead to philosophy — nature, feeling and conduct, written into the glyph.
The three-layer reading honors the folk tradition of "enlightenment-style" character teaching — not mere literacy, but awakening.
Beyond character families there is another path: lining up the words of one scene — from the foot of a mountain to its summit, from a drizzle to the clear sky after rain.
Searching every family entry · Enter opens the first result